By Herman M. Lagon
I JUST found myself Tuesday night in a mall in Jaro, the birthplace of Fray Botod author Graciano Lopez-Jaena, rushing to catch ‘GomBurZa,’ a film that resonates deeply with the Filipino soul. The movie, another Jesuit Communications-backed masterpiece, is a poignant reminder of a crucial yet often overlooked chapter in Philippine history. It is more than just a movie; it is an enlightening journey back in time, unraveling the story of the three martyred priests–Fathers Mariano Gomes, Jose Burgos, and Jacinto Zamora–whose tragic fate planted the seeds of revolution in the Filipino consciousness.
Set against the backdrop of Spanish colonial rule, ‘GomBurZa’ is a cinematic tour de force directed by the acclaimed Pepe Diokno. The film intricately weaves these clergymen’s struggles and political turmoils in the 1860s and 1870s, painting a vivid tableau of their unwavering courage and sacrifice. Enchong Dee, Cedrick Juan, and Dante Rivero deliver powerhouse performances, embodying the multifaceted nature of the Filipino spirit–from the relentless and liberal fighter to the reluctant, even unaware, participant in a battle against systemic oppression.
The narrative’s depth is bolstered by its meticulous attention to historical detail, reflecting the film’s commitment to authenticity and educational value. The intricate plot and dialogue never overshadow the emotional gravity of the story, ensuring that ‘GomBurZa’ remains accessible and engaging for a broad audience. Its historical accuracy and artistic brilliance make it an invaluable teaching tool for understanding the roots of Filipino nationalism.
What sets ‘GomBurZa’ apart is its ability to transcend the boundaries of a typical historical drama. It challenges viewers to reflect on their identity and the concept of martyrdom in contemporary Philippine society. The film’s portrayal of the priests as relatable, flawed human beings rather than untouchable heroes adds a layer of realism that resonates with modern audiences. It prompts introspection about our roles and responsibilities in shaping the nation’s future, much like the stirring impact of the priests’ martyrdom on young Jose Rizal, poignantly depicted in the film.
The cinematography deserves special mention for its breathtaking beauty, transforming each frame into a potential masterpiece of visual art. The music score, particularly the haunting rendition of “Pananagutan,” adds an emotional depth that stays with the viewer long after the credits roll. This harmonious blend of visual and auditory elements elevates ‘GomBurZa’ from a mere cinematic experience to a profound emotional and intellectual journey.
‘GomBurZa’ stands out in a world where we often forget or do not care about our history. It is more than a movie–it is a powerful tribute to the forgotten heroes of Philippine history. This film reminds us of the sacrifices for freedom and identity, inspiring us to cherish our “Los Filipinos” heritage and fight for truth, fairness, and equality.
This cinematic gem is a must-watch, distinguished by its artistic brilliance and impactful message that echoes through generations. It serves as more than just an educational piece; it is an inspiring call to discernment as much as a call to action, encouraging us to delve into our history as a guide for shaping our future.
As I left the theater teary-eyed, I could not help but feel a renewed sense of pride and patriotism, a testament to the film’s profound impact. ‘GomBurZa’ is more than just a historical recount; it is a soul-stirring call to remember, reflect, and reawaken the Filipino spirit within us all.
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Doc H fondly describes himself as a ‘student of and for life’ who, like many others, aspires to a life-giving and why-driven world that is grounded in social justice and the pursuit of happiness. His views herewith do not necessarily reflect those of the institutions he is employed or connected with.
